{"id":967,"date":"2007-06-18T01:02:00","date_gmt":"2007-06-18T08:02:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=967"},"modified":"2007-06-18T01:02:00","modified_gmt":"2007-06-18T08:02:00","slug":"dvd_bud_powell_and_others","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/06\/dvd_bud_powell_and_others\/","title":{"rendered":"DVD: Bud Powell And Others"},"content":{"rendered":"<p>Bud Powell, Dollar Brand, Don Cherry &#038; Others, <a href=\"http:\/\/www.eastwindimport.com\/album-details.asp?CategoryName=Featured+Products&#038;PG=1&#038;ProductID=168\"target=\"_blank\"><em>Jazz In Denmark<\/em><\/a> (Marshmallow). The centerpiece of this limited edition import is <em>Stopforbud<\/em>, a film about Powell made in 1962 by a pair of young Danes. Powell&#8217;s piano is heard throughout, although we only briefly see him playing. With a New Wave sensibility, the camera follows Powell as he wanders through a park, the streets of Copenhagen, a museum and a trash dump. Dexter Gordon narrates. The music is previously unreleased trio performances by Powell, bassist Niels Henning \u00c7\u00bersted-Pedersen and drummer John Elniff. It is a moody and affecting glimpse of the great pianist at a strange kind of ease. The DVD also includes club performances by the New York Contemporary Five with Don Cherry, John Tchicai and Archie Shepp in the front line, and <em>Portrait of a Bushman<\/em>, a short film about pianist Dollar Brand.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bud Powell, Dollar Brand, Don Cherry &#038; Others, Jazz In Denmark (Marshmallow). The centerpiece of this limited edition import is Stopforbud, a film about Powell made in 1962 by a pair of young Danes. Powell&#8217;s piano is heard throughout, although we only briefly see him playing. With a New Wave sensibility, the camera follows Powell [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-967","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=967"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/967\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}