{"id":964,"date":"2007-06-13T21:49:07","date_gmt":"2007-06-14T04:49:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=964"},"modified":"2007-06-13T21:49:07","modified_gmt":"2007-06-14T04:49:07","slug":"compatible_quotes_26","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/06\/compatible_quotes_26\/","title":{"rendered":"Compatible Quotes"},"content":{"rendered":"<p><em>Most customers, by the time the musicians reach the second set, are to some extent inebriated. They don&#8217;t care what you play anyway.<\/em>&#8211;Charles Mingus<br \/>\n<em>The boppers flat their fifths. We consume ours.<\/em>&#8211;Eddie Condon<br \/>\n<em>I&#8217;m all in favor of getting grants for musicians. Or any other good brand of Scotch.<\/em>&#8211;Pepper Adams<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Most customers, by the time the musicians reach the second set, are to some extent inebriated. They don&#8217;t care what you play anyway.&#8211;Charles Mingus The boppers flat their fifths. We consume ours.&#8211;Eddie Condon I&#8217;m all in favor of getting grants for musicians. Or any other good brand of Scotch.&#8211;Pepper Adams<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-964","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=964"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/964\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}