{"id":948,"date":"2007-05-15T01:05:00","date_gmt":"2007-05-15T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=948"},"modified":"2007-05-15T01:05:00","modified_gmt":"2007-05-15T08:05:00","slug":"patience_please","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/05\/patience_please\/","title":{"rendered":"Patience, Please"},"content":{"rendered":"<p>Deadlines galore: Lead review for <em>Jazz Times<\/em> (Ron Carter&#8217;s next CD). Notes for two CDs, George Mraz&#8217;s <em>Moravian Gems<\/em>, and Mad Duran&#8217;s <em>Simply Mad<\/em>. I&#8217;m reading and evaluating the manuscript of a new book by a major jazz biographer. Nonetheless, I have something in mind to post tomorrow or the next day.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Deadlines galore: Lead review for Jazz Times (Ron Carter&#8217;s next CD). Notes for two CDs, George Mraz&#8217;s Moravian Gems, and Mad Duran&#8217;s Simply Mad. I&#8217;m reading and evaluating the manuscript of a new book by a major jazz biographer. Nonetheless, I have something in mind to post tomorrow or the next day.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-948","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=948"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/948\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}