{"id":9460,"date":"2018-04-26T15:31:56","date_gmt":"2018-04-26T22:31:56","guid":{"rendered":"https:\/\/www.artsjournal.com\/rifftides\/?p=9460"},"modified":"2018-04-26T15:36:03","modified_gmt":"2018-04-26T22:36:03","slug":"a-dorough-tribute","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2018\/04\/a-dorough-tribute\/","title":{"rendered":"A Dorough Tribute"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-9461\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/04\/bob-dorough-12.6.jpg\" alt=\"\" width=\"183\" height=\"209\" \/>In the aftermath of Bob Dorough\u00e2\u20ac\u2122s death on Monday, increased attention is going to his extensive body of songs. Among Dorough\u00e2\u20ac\u2122s greatest admirers is the Swedish trumpet player and singer M\u00c3\u00a5rten Lundgren. With bassist and vocalist Helle Marstrand, pianist Sven-Erik Lundequist and drummer Espen Laub von Lillienskjod, Lundgren <a href=\"https:\/\/amzn.to\/2JrgSe0\">recorded an album<\/a> of Dorough\u00e2\u20ac\u2122s music and made a video version of \u00e2\u20ac\u0153But For Now,\u00e2\u20ac\u009d one of Dorough\u00e2\u20ac\u2122s loveliest songs.<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/S0Gk6Avrqa8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">The memory of Bob Dorough is alive in Sweden.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In the aftermath of Bob Dorough\u00e2\u20ac\u2122s death on Monday, increased attention is going to his extensive body of songs. Among Dorough\u00e2\u20ac\u2122s greatest admirers is the Swedish trumpet player and singer M\u00c3\u00a5rten Lundgren. With bassist and vocalist Helle Marstrand, pianist Sven-Erik Lundequist and drummer Espen Laub von Lillienskjod, Lundgren recorded an album of Dorough\u00e2\u20ac\u2122s music and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-9460","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/9460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=9460"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/9460\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=9460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=9460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=9460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}