{"id":933,"date":"2007-04-30T01:05:00","date_gmt":"2007-04-30T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=933"},"modified":"2007-04-30T01:05:00","modified_gmt":"2007-04-30T08:05:00","slug":"three_little_bops","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/04\/three_little_bops\/","title":{"rendered":"Three Little Bops"},"content":{"rendered":"<p><em>Rifftides<\/em> reader Bruce Tater came across a classic Warner Bros. cartoon from the Looney Tunes series. He called our attention to <em>Three Little Bops<\/em>, a perfectly preserved piece of 1950s hipness. Stan Freeburg is the narrator. Shorty Rogers did the music. Notice the stylized drawings of the nightclub audience. Don&#8217;t miss Shorty&#8217;s little <em>sui generis<\/em> muted solo near the end. <a href=\"http:\/\/www.youtube.com\/watch?v=HTSOjbp0Hs0\"target=\"_blank\">Here&#8217;s the link<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rifftides reader Bruce Tater came across a classic Warner Bros. cartoon from the Looney Tunes series. He called our attention to Three Little Bops, a perfectly preserved piece of 1950s hipness. Stan Freeburg is the narrator. Shorty Rogers did the music. Notice the stylized drawings of the nightclub audience. Don&#8217;t miss Shorty&#8217;s little sui generis [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-933","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=933"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/933\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}