{"id":9254,"date":"2018-03-11T22:06:50","date_gmt":"2018-03-12T05:06:50","guid":{"rendered":"https:\/\/www.artsjournal.com\/rifftides\/?p=9254"},"modified":"2018-03-11T22:15:01","modified_gmt":"2018-03-12T05:15:01","slug":"pitches-keys-and-other-challenges","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2018\/03\/pitches-keys-and-other-challenges\/","title":{"rendered":"Pitches, Keys And Other Challenges"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-9257\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/03\/Unknown-1-e1520831151556.png\" alt=\"\" width=\"116\" height=\"116\" \/>Reader comments have converted what began a couple of weeks ago as a &lt;em&gt;Rifftides&lt;\/em&gt; post about Claude Thornhill\u00e2\u20ac\u2122s version of \u00e2\u20ac\u009dRobbins\u00e2\u20ac\u2122 Nest\u00e2\u20ac\u009d into a seminar on keys, pitch, \u00e2\u20ac\u0153Cornet Chop Suey,\u00e2\u20ac\u009d Fletcher Henderson, \u00e2\u20ac\u0153Stardust\u00e2\u20ac\u009d and Glenn Miller, among other matters. It makes for a long, interesting read. If you\u00e2\u20ac\u2122d like to catch up, <a href=\"https:\/\/www.artsjournal.com\/rifftides\/2018\/02\/thornhills-robbins-nest-a-rediscovery.html\">go here and scroll down<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reader comments have converted what began a couple of weeks ago as a &lt;em&gt;Rifftides&lt;\/em&gt; post about Claude Thornhill\u00e2\u20ac\u2122s version of \u00e2\u20ac\u009dRobbins\u00e2\u20ac\u2122 Nest\u00e2\u20ac\u009d into a seminar on keys, pitch, \u00e2\u20ac\u0153Cornet Chop Suey,\u00e2\u20ac\u009d Fletcher Henderson, \u00e2\u20ac\u0153Stardust\u00e2\u20ac\u009d and Glenn Miller, among other matters. It makes for a long, interesting read. If you\u00e2\u20ac\u2122d like to catch up, go here [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-9254","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/9254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=9254"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/9254\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=9254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=9254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=9254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}