{"id":9067,"date":"2018-02-03T00:34:55","date_gmt":"2018-02-03T08:34:55","guid":{"rendered":"https:\/\/www.artsjournal.com\/rifftides\/?p=9067"},"modified":"2018-12-14T20:43:05","modified_gmt":"2018-12-15T04:43:05","slug":"recent-listening-in-brief-james-hall","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2018\/02\/recent-listening-in-brief-james-hall\/","title":{"rendered":"Recent Listening In Brief"},"content":{"rendered":"<p><strong>James Hall<\/strong>, <a href=\"http:\/\/amazon.to\/DXJnOR\"><em>Lattice<\/em><\/a> (OutsideIn Music)<\/p>\n<p>As I may have mentioned no more than a hundred times, it is impossible to keep up with the flow of new albums that keep coming even as we continue to hear claims that jazz is dying. The fact that jazz is not dying doesn\u00e2\u20ac\u2122t mean that there is plenty of gainful employment for jazz musicians. There is not, and probably never has been since the swing era, if then. Plenty of good players can\u00e2\u20ac\u2122t find enough work to make a living without second incomes.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-9068\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/02\/Screen-Shot-2018-02-02-at-9.05.24-PM-e1517635884598.png\" alt=\"\" width=\"225\" height=\"197\" \/>I don\u00e2\u20ac\u2122t know whether the trombonist and composer James Hall (pictured) also works outside of music, but his new album, <em>Lattice<\/em>,&#8221;\u00a0 speaks well of his achievement in it. &#8221;\u00a0Hall\u00e2\u20ac\u2122s intersecting lines for the instruments do the title justice. He is a native of Nebraska who lives in New York City. His album features an impressive quintet playing five of Hall\u00e2\u20ac\u2122s compositions and Joe Henderson\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Black Narcissus.\u00e2\u20ac\u009d The other band members are flutist Jamie Baum, pianist Deanna Witkowski, bassist Tom DiCarlo, drummer Alan Mednard and guest alto saxophonist Sharel Cassity. In a video released at nearly the same time as the CD, Victor Gould is the pianist, with Petros Klampanis on bass. &#8221;\u00a0Here is Hall&#8217;s \u00e2\u20ac\u0153Gaillardia.\u00e2\u20ac\u009d<\/p>\n<div align=\"center\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/IbMS8SrgCmw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>More <em>Recent Listening In Brief<\/em> to come soon.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>James Hall, Lattice (OutsideIn Music) As I may have mentioned no more than a hundred times, it is impossible to keep up with the flow of new albums that keep coming even as we continue to hear claims that jazz is dying. The fact that jazz is not dying doesn\u00e2\u20ac\u2122t mean that there is plenty [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-9067","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/9067","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=9067"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/9067\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=9067"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=9067"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=9067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}