{"id":9014,"date":"2018-01-22T16:40:15","date_gmt":"2018-01-23T00:40:15","guid":{"rendered":"https:\/\/www.artsjournal.com\/rifftides\/?p=9014"},"modified":"2018-01-23T12:22:45","modified_gmt":"2018-01-23T20:22:45","slug":"monday-recommendation-django-a-motion-picture","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2018\/01\/monday-recommendation-django-a-motion-picture\/","title":{"rendered":"Monday Recommendation: Django, A Motion Picture"},"content":{"rendered":"

 <\/p>\n

\"\"Director \u00c3\u2030tienne Comar\u00e2\u20ac\u2122s Django<\/em> portrays guitarist Django Reinhardt\u00e2\u20ac\u2122s life during two years when it seemed that Europe might fall to Germany. His account emphasizes the greatness of Reinhardt\u00e2\u20ac\u2122s music and the Nazis\u00e2\u20ac\u2122 recognition of his extensive popularity. They coerce his collaborationist lover to persuade him to play in Berlin. Reinhardt chooses instead to escape to neutral Switzerland. In real life, his escape effort failed and he was returned to Paris. Reda Kater is credible, if sometimes phlegmatic, in the title role. The film emphasizes Reinhardt\u00e2\u20ac\u2122s devotion to his Belgian Romany roots and people. A group led, a bit frantically, by guitarist Stochelo Rosenberg recreates Reinhardt\u00e2\u20ac\u2122s music. The film is now playing in New York and Los Angeles. One hopes that the movie will encourage viewers to seek out the real Reinhardt. His recordings are plentiful here<\/a>, among other places. You\u00e2\u20ac\u2122ll find a reasonably accurate biography here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

  Director \u00c3\u2030tienne Comar\u00e2\u20ac\u2122s Django portrays guitarist Django Reinhardt\u00e2\u20ac\u2122s life during two years when it seemed that Europe might fall to Germany. His account emphasizes the greatness of Reinhardt\u00e2\u20ac\u2122s music and the Nazis\u00e2\u20ac\u2122 recognition of his extensive popularity. They coerce his collaborationist lover to persuade him to play in Berlin. Reinhardt chooses instead to escape […]<\/p>\n","protected":false},"author":2,"featured_media":9015,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-9014","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-recommendations","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/9014","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=9014"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/9014\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/9015"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=9014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=9014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=9014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}