{"id":879,"date":"2007-03-28T01:05:00","date_gmt":"2007-03-28T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=879"},"modified":"2007-03-28T01:05:00","modified_gmt":"2007-03-28T08:05:00","slug":"compatible_quotes_24","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/03\/compatible_quotes_24\/","title":{"rendered":"Compatible Quotes"},"content":{"rendered":"<p><em>ACCORDION, n. An instrument in harmony with the sentiments of an assassin.<\/em><br \/>\n&#8211;Ambrose Bierce, <em>The Devil&#8217;s Dictionary<\/em><br \/>\n<em>A gentleman is one who knows how to play the accordion but refrains from doing so<\/em>. &#8211;attributed to Mark Twain (and many others)<br \/>\n<em>I am not a demon. I am a lizard, a shark, a heat-seeking panther. I want to be Bob Denver on acid playing the accordion<\/em>. &#8211;Nicholas Cage<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ACCORDION, n. An instrument in harmony with the sentiments of an assassin. &#8211;Ambrose Bierce, The Devil&#8217;s Dictionary A gentleman is one who knows how to play the accordion but refrains from doing so. &#8211;attributed to Mark Twain (and many others) I am not a demon. I am a lizard, a shark, a heat-seeking panther. I [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-879","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=879"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/879\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}