{"id":8680,"date":"2017-09-28T19:33:58","date_gmt":"2017-09-29T02:33:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=8680"},"modified":"2017-09-28T22:08:13","modified_gmt":"2017-09-29T05:08:13","slug":"other-matters-language-so151151","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2017\/09\/other-matters-language-so151151\/","title":{"rendered":"Other Matters&#8211;Language: So&#8230;"},"content":{"rendered":"<p>Increasingly, radio and television newscasts include stories in which anchors interview correspondents in the field. That is part of a pattern: reduced news budgets, smaller staffs and greater dependence on the survivors of newsroom cuts. Anchors, of course, also conduct interviews with newsmakers, hundreds of them a day across the <img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-8683\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/09\/Screen-Shot-2017-09-28-at-7.50.59-PM.png\" alt=\"\" width=\"439\" height=\"176\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/09\/Screen-Shot-2017-09-28-at-7.50.59-PM.png 778w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/09\/Screen-Shot-2017-09-28-at-7.50.59-PM-300x120.png 300w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/09\/Screen-Shot-2017-09-28-at-7.50.59-PM-768x308.png 768w\" sizes=\"auto, (max-width: 439px) 100vw, 439px\" \/>broadcast spectrum. Listeners accustomed to English spoken properly may be nonplussed, even irritated, when interviewees begin their answers with &#8220;So\u00e2\u20ac\u201d\u00e2\u20ac\u201d.&#8221; It happens in approximately 65 percent of responses (that&#8217;s a staff estimate; the percentage may be higher). Whether the person being interviewed is a sixth-grade dropout in a homeless shelter, a United States senator or a reporter whose job description assumes familiarity with the language, spoken English is being &#8220;So-ed&#8221; to a faretheewell. One popular explanation, or excuse, is that the responder to a question is buying a second to think of an answer. For President Ronald Reagan, &#8220;Well\u00e2\u20ac\u201d&#8221; was the crutch. Others prefer &#8220;Uh\u00e2\u20ac\u201d&#8221;. The sixth-grade dropout may be excused. Professionals who make a living with the language should not be.<\/p>\n<p>&#8220;So\u00e2\u20ac\u201d&#8221; had not become ubiquitous when <em>Rifftides<\/em> first brought you the poet Taylor Mali&#8217;s video examination of some of the turns English usage had taken. This was in 2009.<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/OEBZkWkkdZA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Whaddaya think\u00e2\u20ac\u201das a good Brooklynite might ask\u00e2\u20ac\u201dhas English usage improved in eight years?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Increasingly, radio and television newscasts include stories in which anchors interview correspondents in the field. That is part of a pattern: reduced news budgets, smaller staffs and greater dependence on the survivors of newsroom cuts. Anchors, of course, also conduct interviews with newsmakers, hundreds of them a day across the broadcast spectrum. Listeners accustomed to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":8683,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-8680","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=8680"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8680\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/8683"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=8680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=8680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=8680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}