{"id":8659,"date":"2017-09-21T13:36:57","date_gmt":"2017-09-21T20:36:57","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=8659"},"modified":"2017-09-21T14:46:04","modified_gmt":"2017-09-21T21:46:04","slug":"pete-turner-eminent-jazz-photographer-dies","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2017\/09\/pete-turner-eminent-jazz-photographer-dies\/","title":{"rendered":"Pete Turner, Eminent Jazz Photographer, Dies"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8663\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/09\/71hxGrwtcGL._SL1500_.jpg\" alt=\"\" width=\"500\" height=\"500\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/09\/71hxGrwtcGL._SL1500_-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/09\/71hxGrwtcGL._SL1500_-100x100.jpg 100w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/09\/71hxGrwtcGL._SL1500_-200x200.jpg 200w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>Pete Turner, the photgrapher whose work became cover art for dozens of memorable jazz albums,has died at 83. His pictures, including the one above, often appeared on albums of Creed Taylor\u00e2\u20ac\u2122s CTI label in the 1960s and \u00e2\u20ac\u02dc70s. Following the digital revolution, CTI also used them on CD reissues of classic albums. For more about Turner, including photos of some of his other covers, see <a href=\"http:\/\/wbgo.org\/post\/pete-turner-photographer-eye-color-and-ear-jazz-dies-83#stream\/0\" target=\"_blank\" rel=\"noopener\">Nate Chinen\u00e2\u20ac\u2122s article<\/a> on WBGO\u00e2\u20ac\u2122s website.<\/p>\n<p>While we acknowledge Turner\u00e2\u20ac\u2122s artistry, let\u00e2\u20ac\u2122s listen to a piece from Jim Hall\u00e2\u20ac\u2122s remarkable &lt;em&gt;Concierto&lt;\/em&gt; with Hall, guitar; Paul Desmond, alto saxophone; Chet Baker, trumpet; Ron Carter, bass; Steve Gadd, drums; and Roland Hanna, piano. Here\u00e2\u20ac\u2122s the title track, Hall\u00e2\u20ac\u2122s adaptation of the Spanish composer Joaquin Rodrigo\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Concierto de Aranjuez.\u00e2\u20ac\u009d<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/1DBissQmnZs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">RIP Pete Turner and all of the <em>Concierto<\/em> musicians except Ron Carter and Steve Gadd. <a href=\"http:\/\/amzn.to\/2xVyvkL\" target=\"_blank\" rel=\"noopener\">The album itself<\/a> is alive and well.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Pete Turner, the photgrapher whose work became cover art for dozens of memorable jazz albums,has died at 83. His pictures, including the one above, often appeared on albums of Creed Taylor\u00e2\u20ac\u2122s CTI label in the 1960s and \u00e2\u20ac\u02dc70s. Following the digital revolution, CTI also used them on CD reissues of classic albums. For more [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":8661,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-8659","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=8659"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8659\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/8661"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=8659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=8659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=8659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}