{"id":8620,"date":"2017-08-31T17:05:55","date_gmt":"2017-09-01T00:05:55","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=8620"},"modified":"2017-08-31T17:13:02","modified_gmt":"2017-09-01T00:13:02","slug":"janne-loffe-carlsson-1937-2017","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2017\/08\/janne-loffe-carlsson-1937-2017\/","title":{"rendered":"Janne &#8220;Loffe&#8221; Carlsson 1937-2017"},"content":{"rendered":"<p>Less than a month after he amused a huge audience at the opening event of the Ystad Sweden Jazz Festival, the Swedish actor, comedian and drummer Janne \u00e2\u20ac\u0153Loffe\u00e2\u20ac\u009d Carlsson has died. Carlsson was a surprise performer at Ystad, included <img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-8621\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/08\/Loffe-Carlsson-1.jpg\" alt=\"\" width=\"210\" height=\"140\" \/> because of his close relationship with the late singer and actress Monica Zetterlund, who was honored at the festival. Carlsson was 80.<\/p>\n<p>For the <em>Rifftides<\/em> review of his Ystad appearance, <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2017\/08\/ystad-jazz-festival-the-opener.html\"target=\"_blank\">go here<\/a>&#8221;\u00a0and scroll down.<\/p>\n<p><a href=\"https:\/\/martinklasch.blogspot.se\/2017\/08\/janne-loffe-carlsson.html\"target=\"_blank\">A Facebook entry<\/a> by Martin Klasch includes video of Carlsson drumming as Karlsson in the popular 1960s duo Hansson And Karlsson.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Less than a month after he amused a huge audience at the opening event of the Ystad Sweden Jazz Festival, the Swedish actor, comedian and drummer Janne \u00e2\u20ac\u0153Loffe\u00e2\u20ac\u009d Carlsson has died. Carlsson was a surprise performer at Ystad, included because of his close relationship with the late singer and actress Monica Zetterlund, who was honored [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-8620","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=8620"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8620\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=8620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=8620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=8620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}