{"id":8594,"date":"2017-08-20T15:46:51","date_gmt":"2017-08-20T22:46:51","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=8594"},"modified":"2017-08-20T15:55:51","modified_gmt":"2017-08-20T22:55:51","slug":"eclipse-music","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2017\/08\/eclipse-music\/","title":{"rendered":"Eclipse Music"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-8595\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/08\/Eclipse-2017.jpg\" alt=\"\" width=\"220\" height=\"220\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/08\/Eclipse-2017.jpg 220w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/08\/Eclipse-2017-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/08\/Eclipse-2017-100x100.jpg 100w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/08\/Eclipse-2017-200x200.jpg 200w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/>There are several jazz pieces called \u00e2\u20ac\u0153Eclipse.\u00e2\u20ac\u009d Tenor saxophonist Gato Barbieri, the Japanese group called Kyoto Jazz Massive, and the Mexican singer Bere Contreras, among others, have performed or recorded compositions with that name.<\/p>\n<p>The best known \u00e2\u20ac\u0153Eclipse,\u00e2\u20ac\u009d though, remains the one that Charles Mingus first recorded in the 1950s and revived for a 1972 concert at Philharmonic Hall in New York. In the \u00e2\u20ac\u02dc72 concert, Mingus performed with a 21 piece all-star band conducted by Teo Macero. The saxophones included Gerry Mulligan, Gene Ammons, Lee Konitz, James Moody and Charles McPherson. The brass and rhythm sections were equally distinguished. Bill Cosby was the master of ceremonies. In this track recorded at the concert, Honi Gordon sings \u00e2\u20ac\u0153Eclipse,\u00e2\u20ac\u009d whose lyric begins,<\/p>\n<blockquote><p>Eclipse, when the moon meets the sun.<br \/>\nEclipse, two bodies become as one\u00e2\u20ac\u00a6<\/p><\/blockquote>\n<p>Here are Mingus, Ms. Gordon and the band<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/OGosquixN44\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">If you watch the eclipse tomorrow, please have proper eye protection, whether a pair of special eclipse glasses or the classic pinhole-in-paper method. To learn how to make the pinhole projector, <a href=\"https:\/\/www.timeanddate.com\/eclipse\/make-pinhole-projector.html\" target=\"_blank\" rel=\"noopener\">go here<\/a>. When you return to <em>Rifftides<\/em> following the eclipse, we want you to be able to see it.<\/p>\n<p style=\"text-align: left;\">Happy viewing.<\/p>\n<p>Published on Aug 9, 2016<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>There are several jazz pieces called \u00e2\u20ac\u0153Eclipse.\u00e2\u20ac\u009d Tenor saxophonist Gato Barbieri, the Japanese group called Kyoto Jazz Massive, and the Mexican singer Bere Contreras, among others, have performed or recorded compositions with that name. The best known \u00e2\u20ac\u0153Eclipse,\u00e2\u20ac\u009d though, remains the one that Charles Mingus first recorded in the 1950s and revived for a 1972 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":8595,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-8594","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=8594"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8594\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/8595"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=8594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=8594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=8594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}