{"id":851,"date":"2007-03-03T01:04:00","date_gmt":"2007-03-03T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=851"},"modified":"2007-03-03T01:04:00","modified_gmt":"2007-03-03T09:04:00","slug":"cd_27","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/03\/cd_27\/","title":{"rendered":"CD"},"content":{"rendered":"<p>Larry Willis: <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FBig-Push-Larry-Willis%2Fdp%2FB000DN5VSK%3Fie%3DUTF8%26s%3Dmusic%26qid%3D1172884275%26sr%3D1-2&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\"><em>The Big Push<\/em><\/a> (High Note). Al Foster is also on drums here, fully integrated into a superb trio with pianist Willis and bassist Buster Williams. Willis&#8217;s desirability as a sideman has kept him busy since the 1960s with leaders as varied as Hugh Masakela, Cannonball Adderley, Carla Bley, David &#8220;Fathead&#8221; Newman, Roy Hargrove and Blood, Sweat and Tears. The past few years, he has been stepping out more often as a featured soloist. This CD, a balanced mix of familiar and original pieces, is among his best work, with a gorgeous treatment of Burton Lane&#8217;s &#8220;Everything I Have Is Yours.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Larry Willis: The Big Push (High Note). Al Foster is also on drums here, fully integrated into a superb trio with pianist Willis and bassist Buster Williams. Willis&#8217;s desirability as a sideman has kept him busy since the 1960s with leaders as varied as Hugh Masakela, Cannonball Adderley, Carla Bley, David &#8220;Fathead&#8221; Newman, Roy Hargrove [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-851","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=851"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/851\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}