{"id":8461,"date":"2017-07-07T13:40:28","date_gmt":"2017-07-07T20:40:28","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=8461"},"modified":"2017-07-07T13:40:28","modified_gmt":"2017-07-07T20:40:28","slug":"followup-gunnarsson-quartet-seen-and-heard","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2017\/07\/followup-gunnarsson-quartet-seen-and-heard\/","title":{"rendered":"Followup: Gunnarsson Quartet Seen And Heard"},"content":{"rendered":"<p>Moments after I posted yesterday\u00e2\u20ac\u2122s <em>Riftides<\/em> review of Fanny Gunnarsson\u00e2\u20ac\u2122s <em>Mirrors<\/em>, I came across a video of the pianist and singer with her quartet performing a piece from the album. Again, the quartet members are Ms. Gunnarsson, piano: Karolina Almgren, soprano saxophone; Kristian Rimshult, bass; and Hannes Olbers, drums. They perform the Gunnarsson composition \u00e2\u20ac\u0153Theme.\u00e2\u20ac\u009d This was at the Victoriateatern in Malm\u00c3\u00b6, Sweden, last February.<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ZVMbg48rNA4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">There are more reports to come about recent listening. Please check in often.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Moments after I posted yesterday\u00e2\u20ac\u2122s Riftides review of Fanny Gunnarsson\u00e2\u20ac\u2122s Mirrors, I came across a video of the pianist and singer with her quartet performing a piece from the album. Again, the quartet members are Ms. Gunnarsson, piano: Karolina Almgren, soprano saxophone; Kristian Rimshult, bass; and Hannes Olbers, drums. They perform the Gunnarsson composition \u00e2\u20ac\u0153Theme.\u00e2\u20ac\u009d [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-8461","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=8461"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8461\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=8461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=8461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=8461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}