{"id":8424,"date":"2017-06-10T15:16:51","date_gmt":"2017-06-10T22:16:51","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=8424"},"modified":"2017-06-10T15:18:39","modified_gmt":"2017-06-10T22:18:39","slug":"more-about-bengt-hallbergs-dinah","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2017\/06\/more-about-bengt-hallbergs-dinah\/","title":{"rendered":"More About Bengt Hallberg&#8217;s &#8220;Dinah&#8221;"},"content":{"rendered":"<p><em>Rifftides<\/em> readers following the discussion about this week\u00e2\u20ac\u2122s Monday Recommendation, Bengt Hallberg\u00e2\u20ac\u2122s <em>Dinah<\/em>, may be interested in the information that Ivan Sundberg sent from Sweden. He wrote:<\/p>\n<blockquote><p>Hallberg&#8221;\u00b4s album did reach the shores of the US. Already a year after the original Phillips release in Sweden an American label affiliated to Columbia issued it on a 12 inch vinyl on EPIC LN 3375. Leonard Feather contributed with deep insight liner notes of Hallberg and his music on it.This particular album might be more easy to find in the special vinyl stores.<\/p><\/blockquote>\n<p>Mr. Sundberg sent an illustration of the Epic version\u00e2\u20ac\u2122s cover that should make it easy for prospective buyers to recognize it as they browse through the bins of those special stores.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8425\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/06\/Hallberg-Epic-Cover.jpg\" alt=\"\" width=\"250\" height=\"247\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/06\/Hallberg-Epic-Cover.jpg 250w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/06\/Hallberg-Epic-Cover-100x100.jpg 100w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><br \/>\nWhile we\u00e2\u20ac\u2122re thinking of Bengt Hallberg, let\u00e2\u20ac\u2122s see and hear him play \u00e2\u20ac\u0153Tea For Two\u00e2\u20ac\u009d and \u00e2\u20ac\u0153But Not For Me.\u00e2\u20ac\u009d This 2011 performance was at Fasching, a club in Central Stockholm. Between numbers, he speaks to the audience.<\/p>\n<div align=\"center\">\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/jc7xAuTnabg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">Have a good weekend.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Rifftides readers following the discussion about this week\u00e2\u20ac\u2122s Monday Recommendation, Bengt Hallberg\u00e2\u20ac\u2122s Dinah, may be interested in the information that Ivan Sundberg sent from Sweden. He wrote: Hallberg&#8221;\u00b4s album did reach the shores of the US. Already a year after the original Phillips release in Sweden an American label affiliated to Columbia issued it on [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":8425,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-8424","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=8424"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8424\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/8425"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=8424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=8424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=8424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}