{"id":838,"date":"2007-02-25T11:29:43","date_gmt":"2007-02-25T19:29:43","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=838"},"modified":"2007-02-25T11:29:43","modified_gmt":"2007-02-25T19:29:43","slug":"coming_soon_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/02\/coming_soon_1\/","title":{"rendered":"Coming Soon"},"content":{"rendered":"<p>Later, I&#8217;ll have a report on the final concert of the Hampton festival, the changing of its artistic leadership, and a few thoughts on jazz education and the future of the jazz audience. At the moment, the hotel&#8217;s checkout deadline is looming. I&#8217;m packing up and hitting the road following an intense and interesting four days in Moscow.<br \/>\nAs promised, I&#8217;ll also be catching up, by way of mini-reviews, with some of the CDs that have accumulated in the past few weeks.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Later, I&#8217;ll have a report on the final concert of the Hampton festival, the changing of its artistic leadership, and a few thoughts on jazz education and the future of the jazz audience. At the moment, the hotel&#8217;s checkout deadline is looming. I&#8217;m packing up and hitting the road following an intense and interesting four [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-838","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=838"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/838\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}