{"id":828,"date":"2007-02-12T12:41:38","date_gmt":"2007-02-12T20:41:38","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=828"},"modified":"2007-02-12T12:41:38","modified_gmt":"2007-02-12T20:41:38","slug":"felicidades_a_brian_lynch_y_ed","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/02\/felicidades_a_brian_lynch_y_ed\/","title":{"rendered":"Felicidades a Brian Lynch y Eddie Palmieri"},"content":{"rendered":"<p>The Grammy win last night by Brian Lynch and Eddie Palmieri for Best Latin Jazz Album is also a victory for the proposition that independence can bring rewards. Lynch said goodbye to the oversight of record companies, produced <em>Simp\u00c3\u00a1tico<\/em> on his own and released it with ArtistShare, the cooperative venture that allows musicians greater control over their recorded work and a greater share of the profit from it. Even better, it&#8217;s a splendid CD. To read last fall&#8217;s <em>Rifftides<\/em> review of <em>Simp\u00c3\u00a1tico<\/em>, <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2006\/10\/cd_16.html\">go here<\/a>.<br \/>\nThe focus of <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2007\/01\/michael_brecker.html\"target=\"_blank\">much attention<\/a> lately on <em>Rifftides<\/em>, Michael Brecker posthumously won his twelfth Grammy for his tenor saxophone solo on <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FSome-Skunk-Funk-Randy-Brecker%2Fdp%2FB000FKO3XA%2Fsr%3D1-1%2Fqid%3D1171329296%3Fie%3DUTF8%26s%3Dmusic&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\">&#8220;Some Skunk Funk&#8221;<\/a>.<br \/>\nCongratulations to friend Dan Morgenstern. He won for best liner notes for <em>Fats Waller: If You Got To Ask, You Ain&#8217;t Got It<\/em>, discussed under the current <strong>Doug&#8217;s Picks<\/strong> in the right-hand column.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Grammy win last night by Brian Lynch and Eddie Palmieri for Best Latin Jazz Album is also a victory for the proposition that independence can bring rewards. Lynch said goodbye to the oversight of record companies, produced Simp\u00c3\u00a1tico on his own and released it with ArtistShare, the cooperative venture that allows musicians greater control [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-828","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=828"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/828\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}