{"id":8264,"date":"2017-03-15T17:26:51","date_gmt":"2017-03-16T00:26:51","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=8264"},"modified":"2017-03-15T17:26:51","modified_gmt":"2017-03-16T00:26:51","slug":"midweek-extra-howard-mcghee-with-a-classic-ballad","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2017\/03\/midweek-extra-howard-mcghee-with-a-classic-ballad\/","title":{"rendered":"Midweek Extra: Howard McGhee With A Classic Ballad"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/03\/Howard-McGhee.jpg\" alt=\"\" width=\"471\" height=\"350\" class=\"aligncenter size-full wp-image-8265\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/03\/Howard-McGhee.jpg 471w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2017\/03\/Howard-McGhee-300x223.jpg 300w\" sizes=\"auto, (max-width: 471px) 100vw, 471px\" \/><br \/>\nMcGhee, one of the essential bop trumpeters, plays \u00e2\u20ac\u0153Lover Man,\u00e2\u20ac\u009d accompanied by Richard Davis, bass; Ted Dunbar, guitar; and Roy Haynes, drums; at Jack Kleinsinger\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Highlights In Jazz\u00e2\u20ac\u009d tribute to Charlie Parker in April, 1973, in New York. McGhee makes the introduction.<\/p>\n<div align=\"center\"><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pOqy3F44KZQ\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<div>\n","protected":false},"excerpt":{"rendered":"<p>McGhee, one of the essential bop trumpeters, plays \u00e2\u20ac\u0153Lover Man,\u00e2\u20ac\u009d accompanied by Richard Davis, bass; Ted Dunbar, guitar; and Roy Haynes, drums; at Jack Kleinsinger\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Highlights In Jazz\u00e2\u20ac\u009d tribute to Charlie Parker in April, 1973, in New York. McGhee makes the introduction.<\/p>\n","protected":false},"author":2,"featured_media":8265,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-8264","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=8264"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/8264\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/8265"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=8264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=8264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=8264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}