{"id":811,"date":"2007-02-05T01:04:00","date_gmt":"2007-02-05T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=811"},"modified":"2007-02-05T01:04:00","modified_gmt":"2007-02-05T09:04:00","slug":"compatible_quotes_on_writing","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/02\/compatible_quotes_on_writing\/","title":{"rendered":"Compatible Quotes: On Writing"},"content":{"rendered":"<blockquote><p><em>The lyfe so short, the craft so long to lerne<\/em> &#8212;<strong>Geoffrey Chaucer<\/strong><\/p><\/blockquote>\n<blockquote><p><em>A man may write at any time, if he will set himself doggedly to it<\/em> &#8212;<strong>Samuel Johnson<\/strong><\/p><\/blockquote>\n<blockquote><p><em>No writer ever truly succeeds. The disparity between the work conceived and the work completed is always too great and the writer merely achieves an acceptable degree of failure<\/em> &#8212;<strong>Philip Caputo<\/strong><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>The lyfe so short, the craft so long to lerne &#8212;Geoffrey Chaucer A man may write at any time, if he will set himself doggedly to it &#8212;Samuel Johnson No writer ever truly succeeds. The disparity between the work conceived and the work completed is always too great and the writer merely achieves an acceptable [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-811","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=811"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/811\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}