{"id":798,"date":"2007-01-23T01:02:00","date_gmt":"2007-01-23T09:02:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=798"},"modified":"2007-01-23T01:02:00","modified_gmt":"2007-01-23T09:02:00","slug":"andfeitlebaum","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/01\/andfeitlebaum\/","title":{"rendered":"&#8230;and&#8230;Feitlebaum"},"content":{"rendered":"<p>A little research discloses that the man who did that brilliant dual-personality <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2007\/01\/youll_want_to_w.html\"target=\"_blank\">lip-synch performance<\/a> to Charlie Parker&#8217;s and Dizzy Gillespie&#8217;s &#8220;Leap Frog&#8221; is named Jeremiah McDonald. He has other clips on <em>YouTube<\/em>, none of them based in jazz. Still, jazz listeners who dig Spike Jones (there are more of them than you might think) will get a nostalgic charge from McDonald&#8217;s treatment of <a href=\"http:\/\/www.youtube.com\/watch?v=b6_zm_p1CSo\"target=\"_blank\">this classic<\/a> by <a href=\"http:\/\/en.wikipedia.org\/wiki\/Doodles_Weaver\">Doodles Weaver<\/a>, the Jones band&#8217;s all-purpose nut.<br \/>\nFor more about Jeremiah McDonald, aka The Reverend Cornelius Blow, <a href=\"http:\/\/blog.myspace.com\/index.cfm?fuseaction=blog.ListAll&#038;friendID=21301998&#038;MyToken=594d7afa-0717-48ac-8f38-4ccaf0d8a5daML\"target=\"_blank\">go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A little research discloses that the man who did that brilliant dual-personality lip-synch performance to Charlie Parker&#8217;s and Dizzy Gillespie&#8217;s &#8220;Leap Frog&#8221; is named Jeremiah McDonald. He has other clips on YouTube, none of them based in jazz. Still, jazz listeners who dig Spike Jones (there are more of them than you might think) will [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-798","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=798"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/798\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}