{"id":7964,"date":"2016-11-13T14:06:15","date_gmt":"2016-11-13T22:06:15","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=7964"},"modified":"2016-11-14T08:17:44","modified_gmt":"2016-11-14T16:17:44","slug":"chick-corea-at-75","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2016\/11\/chick-corea-at-75\/","title":{"rendered":"Chick Corea at 75"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7965 aligncenter\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2016\/11\/Chick-Corea-Header-1-e1479074168757.jpg\" alt=\"chick-corea-header-1\" width=\"500\" height=\"220\" \/>Pianist, composer and bandleader Chick Corea&#8221;\u00a0(born June 12, 1941) continues the long celebration of&#8221;\u00a0his&#8221;\u00a075th birthday, currently at his frequent New York headquarters the Blue Note. &#8221;\u00a0Corea&#8217;s career&#8221;\u00a0has brought him together with virtually every major figure in modern jazz. We congratulate him and wish him many more years of the creativity, daring and joyous expression that have made his work an inspiration for musicians and a source of deep satisfaction for listeners. Let&#8217;s&#8221;\u00a0listen to \u00e2\u20ac\u0153Matrix\u00e2\u20ac\u009d from his 1968 album <a href=\"http:\/\/amzn.to\/2g46fEt\" target=\"_blank\"><em>Now He Sings, Now He Sobs<\/em><\/a>, with bassist Miroslav Vitrous and drummer Roy Haynes.<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Y9rxeyzyKVw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">Now, Corea talks about that remarkable trio, which brought him widespread attention and increased fame. This 49-minute video incorporates a 2001 reunion of the Corea-Vitous-Haynes trio at the&#8221;\u00a0Blue Note.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/29WR8prMC7M\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">Happy extended&#8221;\u00a0Birthday, Chick Corea.<\/p>\n<\/div>\n<p style=\"text-align: left;\"><strong>(<span style=\"font-size: small;\">Thanks to reader Bob Seymour for facts that update the original item posted earlier today<\/span>)<\/strong><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Pianist, composer and bandleader Chick Corea&#8221;\u00a0(born June 12, 1941) continues the long celebration of&#8221;\u00a0his&#8221;\u00a075th birthday, currently at his frequent New York headquarters the Blue Note. &#8221;\u00a0Corea&#8217;s career&#8221;\u00a0has brought him together with virtually every major figure in modern jazz. We congratulate him and wish him many more years of the creativity, daring and joyous expression that [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-7964","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=7964"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7964\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/7965"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=7964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=7964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=7964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}