{"id":791,"date":"2007-01-16T01:05:00","date_gmt":"2007-01-16T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=791"},"modified":"2007-01-16T01:05:00","modified_gmt":"2007-01-16T09:05:00","slug":"jazz_and_blues_report_from_chi","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/01\/jazz_and_blues_report_from_chi\/","title":{"rendered":"Jazz And Blues Report From Chicago"},"content":{"rendered":"<p>Jazz gets relatively little attention on commercial television, but one of the newscasts on WBBM-TV, the CBS-TV affiliate in Chicago, made an exception recently. It profiled Bob Koester and his Delmark Records label. The story focuses more on Chicago blues than on Delmark&#8217;s jazz artists, but reporter Vince Gerasole produced a fine little piece incorporating atmospheric historical footage of the city. <a href=\"http:\/\/cbs2chicago.com:80\/specialreports\/local_story_012221150.html\"target=\"_blank\">Go here <\/a>to see video of the report and read a transcript.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jazz gets relatively little attention on commercial television, but one of the newscasts on WBBM-TV, the CBS-TV affiliate in Chicago, made an exception recently. It profiled Bob Koester and his Delmark Records label. The story focuses more on Chicago blues than on Delmark&#8217;s jazz artists, but reporter Vince Gerasole produced a fine little piece incorporating [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-791","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=791"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/791\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}