{"id":7823,"date":"2016-09-14T15:04:41","date_gmt":"2016-09-14T22:04:41","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=7823"},"modified":"2016-09-14T17:43:35","modified_gmt":"2016-09-15T00:43:35","slug":"7823","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2016\/09\/7823\/","title":{"rendered":"Weather &#038; Body, Part 2"},"content":{"rendered":"<p>Fair weather continues.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7822\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2016\/09\/635856586830981311672349073_fair-weather.jpg\" alt=\"635856586830981311672349073_fair-weather\" width=\"444\" height=\"296\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2016\/09\/635856586830981311672349073_fair-weather.jpg 444w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2016\/09\/635856586830981311672349073_fair-weather-300x200.jpg 300w\" sizes=\"auto, (max-width: 444px) 100vw, 444px\" \/><\/p>\n<p>So, too, does recuperation, if that&#8217;s what it can be called. For such details as exist, see yesterday&#8217;s&#8221;\u00a0<em>Rifftides<\/em> installment. For \u00e2\u20ac\u0153Fair Weather\u00e2\u20ac\u009d from 1958, click on the arrow below. Benny Golson is the composer.<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/cQOUZ-AKCBE\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">The doctor is going to have a look tomorrow. I\u00e2\u20ac\u2122m knocking on a large piece of oak.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Fair weather continues. So, too, does recuperation, if that&#8217;s what it can be called. For such details as exist, see yesterday&#8217;s&#8221;\u00a0Rifftides installment. For \u00e2\u20ac\u0153Fair Weather\u00e2\u20ac\u009d from 1958, click on the arrow below. Benny Golson is the composer. The doctor is going to have a look tomorrow. I\u00e2\u20ac\u2122m knocking on a large piece of oak.<\/p>\n","protected":false},"author":2,"featured_media":7822,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-7823","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=7823"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7823\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/7822"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=7823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=7823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=7823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}