{"id":7760,"date":"2016-08-18T23:12:45","date_gmt":"2016-08-19T06:12:45","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=7760"},"modified":"2016-08-18T23:17:43","modified_gmt":"2016-08-19T06:17:43","slug":"ystad-followup-kathrine-windfeld","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2016\/08\/ystad-followup-kathrine-windfeld\/","title":{"rendered":"Ystad Followup: Kathrine Windfeld"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-7761\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2016\/08\/K.-Windfeld-2.jpg\" alt=\"K. Windfeld 2\" width=\"194\" height=\"250\" \/>The <em>Rifftides<\/em> <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2016\/08\/ystad-the-wrapup.html\" target=\"_blank\">wrapup report<\/a> on the Ystad Sweden Jazz Festival included a brief, enthusiastic comment about a performance by the Kathrine Windfeld Big Band of her piece \u00e2\u20ac\u0153Aircraft.\u00e2\u20ac\u009d This young Danish composer, arranger and pianist writes for 15 young musicians from Denmark, Sweden, Norway and Poland. They negotiate her demanding charts with aplomb, intensity and obvious appreciation for one another\u00e2\u20ac\u2122s talents. Following the video, I\u00e2\u20ac\u2122m including their names for you to remember because we are undoubtedly going to be hearing further important work from Ms. Windfeld\u00e2\u20ac\u2122s band. There is no video from the Ystad concert, but here is \u00e2\u20ac\u0153Aircraft\u00e2\u20ac\u009d from an earlier appearance in Copenhagen.<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/KVXohe1c-S4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">Again, the solists on \u00e2\u20ac\u0153Aircraft\u00e2\u20ac\u009d were G\u00c3\u00b6ran Abelli, trombone; Erik Kimestad, trumpet; and Henrik Holst Hansen, drums. Here are the names, instruments and countries of all the members.<\/p>\n<p style=\"text-align: left;\">TRUMPETS: Rolf Thofte (DK); Erik Kimestad (NO); Magnus Oseth (NO).<\/p>\n<p style=\"text-align: left;\">TROMBONES: G\u00c3\u00b6ran Abelli (SE); Johan Norberg (SE); Anders Malta (DK).<\/p>\n<p style=\"text-align: left;\">SAXES: Jakub Wiecek (PO); S\u00c3\u00b8ren H\u00c3\u00b8st (DK); Roald Elm Larsen (DK); Marika Andersen (DK); Toke Reines (DK).<\/p>\n<p style=\"text-align: left;\">RHYTHM SECTION: Viktor Sandstr\u00c3\u00b6m, guitar (SE); Johannes Vaht, bass (SE); Henrik Holst Hansen, drums (DK) Kathrine Windfeld, piano, leader (DK).<\/p>\n<p style=\"text-align: left;\">Ms. Winfield studied piano with Jan Lundgren, the festival\u00e2\u20ac\u2122s artistic director and one of its stars. I asked him if he also taught her arranging. \u00e2\u20ac\u0153No,\u00e2\u20ac\u009d he said. \u00e2\u20ac\u0153Playing&#8221;\u00a0 the piano and arranging are the same thing.\u00e2\u20ac\u009d<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Rifftides wrapup report on the Ystad Sweden Jazz Festival included a brief, enthusiastic comment about a performance by the Kathrine Windfeld Big Band of her piece \u00e2\u20ac\u0153Aircraft.\u00e2\u20ac\u009d This young Danish composer, arranger and pianist writes for 15 young musicians from Denmark, Sweden, Norway and Poland. They negotiate her demanding charts with aplomb, intensity and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7761,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-7760","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=7760"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7760\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/7761"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=7760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=7760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=7760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}