{"id":7651,"date":"2016-07-17T23:49:22","date_gmt":"2016-07-18T06:49:22","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=7651"},"modified":"2016-07-17T23:49:22","modified_gmt":"2016-07-18T06:49:22","slug":"weekend-extra-monk-plays-and-dances","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2016\/07\/weekend-extra-monk-plays-and-dances\/","title":{"rendered":"Weekend Extra: Monk Plays and Dances"},"content":{"rendered":"<p>The Thelonious Monk Quartet delivers an invigorating 1963 performance in Japan. With Monk are tenor saxophonist Charlie Rouse, bassist Butch Warren and drummer Frankie Dunlop. The video has an episode of Monk\u00e2\u20ac\u2122s occasional urge to incorporate a bit of impromptu terpsichore. The piece is \u00e2\u20ac\u0153Evidence,\u00e2\u20ac\u009d which Monk constructed on the harmonies of the standard song \u00e2\u20ac\u0153Just You, Just Me.\u00e2\u20ac\u009d<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/qweSlfP6BtI\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">I hope that you\u00e2\u20ac\u2122re having a good weekend.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Thelonious Monk Quartet delivers an invigorating 1963 performance in Japan. With Monk are tenor saxophonist Charlie Rouse, bassist Butch Warren and drummer Frankie Dunlop. The video has an episode of Monk\u00e2\u20ac\u2122s occasional urge to incorporate a bit of impromptu terpsichore. The piece is \u00e2\u20ac\u0153Evidence,\u00e2\u20ac\u009d which Monk constructed on the harmonies of the standard song [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-7651","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7651","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=7651"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7651\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=7651"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=7651"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=7651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}