{"id":7614,"date":"2016-06-26T18:36:25","date_gmt":"2016-06-27T01:36:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=7614"},"modified":"2016-06-28T10:11:42","modified_gmt":"2016-06-28T17:11:42","slug":"weekend-extra-lockjaw-and-friends","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2016\/06\/weekend-extra-lockjaw-and-friends\/","title":{"rendered":"Weekend Extra: Lockjaw And Friends"},"content":{"rendered":"<p>Although the engineering department is still working on a permanent fix, the <em>Rifftides<\/em> computer problem is mostly solved and we seem to be back in full operation (knock on wood). Let\u00e2\u20ac\u2122s hope\u00e2\u20ac\u201dand celebrate with Eddie \u00e2\u20ac\u0153Lockjaw\u00e2\u20ac\u009d Davis.<\/p>\n<p>Here is the tenor saxophone master (1921-1986) at the <em>Jazzhus Slukefter<\/em> in Copenhagen a year before his death. Davis\u00e2\u20ac\u2122s colleagues are Niels J\u00c3\u00b8rgen Steen, piano; Jesper Lundgaard, bass; and Ed Thigpen, drums. The excellent video quality supports the full-screen mode for a close look at Davis in full flight in this exhilarating performance of Billy Strayhorn&#8217;s classic train song.<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/3Iz6WQkUGro?rel=0\" width=\"480\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">Enjoy your weekend, if it still exists in your time zone.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Although the engineering department is still working on a permanent fix, the Rifftides computer problem is mostly solved and we seem to be back in full operation (knock on wood). Let\u00e2\u20ac\u2122s hope\u00e2\u20ac\u201dand celebrate with Eddie \u00e2\u20ac\u0153Lockjaw\u00e2\u20ac\u009d Davis. Here is the tenor saxophone master (1921-1986) at the Jazzhus Slukefter in Copenhagen a year before his death. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-7614","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=7614"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7614\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/7615"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=7614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=7614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=7614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}