{"id":758,"date":"2006-12-20T01:04:00","date_gmt":"2006-12-20T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=758"},"modified":"2006-12-20T01:04:00","modified_gmt":"2006-12-20T09:04:00","slug":"compatible_quotes_20","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/12\/compatible_quotes_20\/","title":{"rendered":"Compatible Quotes"},"content":{"rendered":"<p><em>Count Basie was college, but Duke Ellington was graduate school.<\/em><br \/>\n&#8211;Clark Terry<br \/>\n<em>At least one day out of the year all musicans should just put their instruments down, and give thanks to Duke Ellington.<\/em>&#8211;Miles Davis<br \/>\n<em>Music is my mistress and she plays second fiddle to no one.<\/em>&#8211;Duke Ellington<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Count Basie was college, but Duke Ellington was graduate school. &#8211;Clark Terry At least one day out of the year all musicans should just put their instruments down, and give thanks to Duke Ellington.&#8211;Miles Davis Music is my mistress and she plays second fiddle to no one.&#8211;Duke Ellington<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-758","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=758"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/758\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}