{"id":757,"date":"2006-12-23T01:03:00","date_gmt":"2006-12-23T09:03:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=757"},"modified":"2006-12-23T01:03:00","modified_gmt":"2006-12-23T09:03:00","slug":"cd_21","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/12\/cd_21\/","title":{"rendered":"CD"},"content":{"rendered":"<p>Lee Wiley, <a href=\"http:\/\/www.mosaicrecords.com\/prodinfo.asp?number=1008\"target=\"_blank\"><em>West Of The Moon<\/em><\/a> (Mosaic). One of the most tasteful, distinctive and emotionally profound singers of the 1930s and &#8217;40s, Wiley was less active in the &#8217;50s. By the time she died in 1975, she was all but forgotten by the public. Her admirers never forgot her, though. Fortunately, one of them is Mosaic&#8217;s Michael Cuscuna, who saw to the reissue of this 1956 masterpiece. Wiley&#8217;s collaboration with arranger Ralph Burns came fairly late in her career, but it&#8217;s one of her best albums. There are no more effective versions than Wiley&#8217;s of &#8220;This is New&#8221; and &#8220;Can&#8217;t Get Out of This Mood.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lee Wiley, West Of The Moon (Mosaic). One of the most tasteful, distinctive and emotionally profound singers of the 1930s and &#8217;40s, Wiley was less active in the &#8217;50s. By the time she died in 1975, she was all but forgotten by the public. Her admirers never forgot her, though. Fortunately, one of them is [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-757","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=757"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/757\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}