{"id":753,"date":"2006-12-15T01:04:00","date_gmt":"2006-12-15T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=753"},"modified":"2006-12-15T01:04:00","modified_gmt":"2006-12-15T09:04:00","slug":"sales_figures","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/12\/sales_figures\/","title":{"rendered":"Sales Figures"},"content":{"rendered":"<p>Conventional wisdom, which&#8211;granted&#8211;isn&#8217;t always dependable or even wise, holds that current sales of jazz recordings account for about three per-cent of the recorded music market and classical recordings another three per-cent. Fellow <em>artsjournal.com<\/em> blogger <a href=\"http:\/\/www.artsjournal.com\/sandow\/2006\/12\/past_popularity.html\">Greg Sandow<\/a> has thoughts about that, and a look at what those figures might have been forty-six years ago. His piece just might make you contemplate the state of culture in the new century.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conventional wisdom, which&#8211;granted&#8211;isn&#8217;t always dependable or even wise, holds that current sales of jazz recordings account for about three per-cent of the recorded music market and classical recordings another three per-cent. Fellow artsjournal.com blogger Greg Sandow has thoughts about that, and a look at what those figures might have been forty-six years ago. His piece [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-753","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=753"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/753\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}