{"id":7484,"date":"2016-04-24T22:42:03","date_gmt":"2016-04-25T05:42:03","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=7484"},"modified":"2016-04-24T22:42:57","modified_gmt":"2016-04-25T05:42:57","slug":"another-desafinado","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2016\/04\/another-desafinado\/","title":{"rendered":"Another &#8220;Desafinado&#8221;"},"content":{"rendered":"<p><em>Rifftides<\/em> has every intention of getting back into full swing as soon as possible. Endless negotiations, tests and conversations (no shouting, so far) with <img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-7486\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2016\/04\/Printer-problem.jpg\" alt=\"Printer problem\" width=\"162\" height=\"109\" \/>technical experts of a hardware manufacturer have consumed hours that would have been better spent listening, writing and posting. I hope to have good news from the techies tomorrow. In the meantime, the <em>Rifftides<\/em> staff is reaching into the backlog of recordings and videos that we keep on hand for times like this.<\/p>\n<p>From a 1994 Carnegie Hall concert, Antonio Carllos Jobim introduces Joe Henderson, tenor saxophone. He does not introduce the sidemen, but they seem to be Charlie Haden, bass; Pat Metheny, guitar; and Al Foster, drums<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" title=\"Desafinado -  Antonio Carlos Jobim &amp; Joe Henderson (HQ)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/vMLo05EGuBw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">Onward.<\/p>\n<p style=\"text-align: left;\">I hope.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Rifftides has every intention of getting back into full swing as soon as possible. Endless negotiations, tests and conversations (no shouting, so far) with technical experts of a hardware manufacturer have consumed hours that would have been better spent listening, writing and posting. I hope to have good news from the techies tomorrow. In the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-7484","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=7484"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7484\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=7484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=7484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=7484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}