{"id":7461,"date":"2016-04-10T15:58:23","date_gmt":"2016-04-10T22:58:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=7461"},"modified":"2016-04-10T15:58:23","modified_gmt":"2016-04-10T22:58:23","slug":"weekend-extra-no-2-just-because","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2016\/04\/weekend-extra-no-2-just-because\/","title":{"rendered":"Weekend Extra No. 2:  Just Because"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7462\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2016\/04\/Charles-Lloyd-1960s.jpg\" alt=\"Charles Lloyd, 1960s\" width=\"200\" height=\"192\" \/><\/p>\n<p>The Charles Lloyd Quartet having a good day in Europe 50 years ago. Listen for the Stravinsky quote at 1:46.<\/p>\n<div align=\"center\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/JNN5WVRfw-o?rel=0\" width=\"480\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">Charles Lloyd, tenor saxophone; Keith Jarrett, piano; Cecil McBee, bass; Jack DeJohnette, drums. From Radio T\u00c3\u00a9l\u00c3\u00a9vision Belge de la Communaut\u00c3\u00a9 Fran\u00c3\u00a7aise, ca. 1966. The quartet also recorded\u00e2\u20ac\u0153Manhattan Carousel\u00e2\u20ac\u009d for the Atlantic album &lt;&lt;em&gt;<a href=\"http:\/\/www.amazon.com\/Charles-Lloyd-Europe\/dp\/B009ZH4KAU\/?_encoding=UTF8&amp;camp=1789&amp;creative=9325&amp;keywords=charles%20lloyd%20in%20Europe&amp;linkCode=ur2&amp;qid=1460326044&amp;s=music&amp;sr=1-1&amp;tag=rifftidougram-20\" target=\"_blank\">Charles Lloyd in Europe<\/a>.&lt;\/em&gt; (Photo of Lloyd &#8220;\u00a9 Lee Tanner)<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Charles Lloyd Quartet having a good day in Europe 50 years ago. Listen for the Stravinsky quote at 1:46. Charles Lloyd, tenor saxophone; Keith Jarrett, piano; Cecil McBee, bass; Jack DeJohnette, drums. From Radio T\u00c3\u00a9l\u00c3\u00a9vision Belge de la Communaut\u00c3\u00a9 Fran\u00c3\u00a7aise, ca. 1966. The quartet also recorded\u00e2\u20ac\u0153Manhattan Carousel\u00e2\u20ac\u009d for the Atlantic album &lt;&lt;em&gt;Charles Lloyd in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-7461","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=7461"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7461\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=7461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=7461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=7461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}