{"id":7403,"date":"2016-03-11T22:45:59","date_gmt":"2016-03-12T06:45:59","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=7403"},"modified":"2016-03-11T22:45:59","modified_gmt":"2016-03-12T06:45:59","slug":"weekend-extra-vintage-larry-young","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2016\/03\/weekend-extra-vintage-larry-young\/","title":{"rendered":"Weekend Extra: Vintage Larry Young"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-7404\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2016\/03\/L.-Young-Into-Somethin.jpg\" alt=\"L. Young Into Somethin'\" width=\"200\" height=\"202\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2016\/03\/L.-Young-Into-Somethin.jpg 200w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2016\/03\/L.-Young-Into-Somethin-100x100.jpg 100w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>For your weekend listening pleasure, let\u00e2\u20ac\u2122s follow up on the previous post\u00e2\u20ac\u2122s review of organist Larry Young\u00e2\u20ac\u2122s album of recently discovered Paris recordings. Here is \u00e2\u20ac\u0153Paris Eyes\u00e2\u20ac\u009d (a coincidental title) from Young\u00e2\u20ac\u2122s Blue Note album <a href=\"http:\/\/www.amazon.com\/Into-Somethin-Larry-Young\/dp\/B000005GVT\/?_encoding=UTF8&amp;camp=1789&amp;creative=9325&amp;linkCode=ur2&amp;tag=rifftidougram-20\" target=\"_blank\"><em>Into Somethin\u00e2\u20ac\u2122<\/em><\/a>. Young, organ; Sam Rivers tenor saxophone; Grant Green, guitar; Elvin Jones, drums. Beautifully recorded in 1964 by Rudy Van Gelder.<\/p>\n<div align=\"center\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/OOJWd8DFY_E\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">From an <a href=\"http:\/\/www.amazon.com\/Groove-Street-Larry-Young\/dp\/B000000Z9R\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;keywords=Larry%20Young%20Groove%20Street&#038;linkCode=ur2&#038;qid=1457764785&#038;s=music&#038;sr=1-1&#038;tag=rifftidougram-20\"target=\"_blank\">earlier album<\/a>, on Prestige, here\u00e2\u20ac\u2122s Young with Thornel Schwartz,<img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-7405\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2016\/03\/rudy-van-gelder.jpg\" alt=\"rudy-van-gelder\" width=\"100\" height=\"113\" \/> guitar; Bill Leslie, tenor saxophone; and Jimmie Smith, drums. Young shows what he could do with\u00e2\u20ac\u201dor for\u00e2\u20ac\u201da Great American Songbook classic. This was also recorded by Van Gelder (pictured).<\/p>\n<div align=\"center\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FTSPh67rk28\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">Have a good weekend.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>For your weekend listening pleasure, let\u00e2\u20ac\u2122s follow up on the previous post\u00e2\u20ac\u2122s review of organist Larry Young\u00e2\u20ac\u2122s album of recently discovered Paris recordings. Here is \u00e2\u20ac\u0153Paris Eyes\u00e2\u20ac\u009d (a coincidental title) from Young\u00e2\u20ac\u2122s Blue Note album Into Somethin\u00e2\u20ac\u2122. Young, organ; Sam Rivers tenor saxophone; Grant Green, guitar; Elvin Jones, drums. Beautifully recorded in 1964 by Rudy [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7404,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-7403","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=7403"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7403\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/7404"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=7403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=7403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=7403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}