{"id":739,"date":"2006-11-28T00:15:00","date_gmt":"2006-11-28T08:15:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=739"},"modified":"2006-11-28T00:15:00","modified_gmt":"2006-11-28T08:15:00","slug":"quotes","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/11\/quotes\/","title":{"rendered":"Quotes"},"content":{"rendered":"<blockquote><p><em>Anita O&#8217;Day was my hero because she used four-letter words. That was really neat. I didn&#8217;t myself say them for a long time, but I loved hearing her say them.&#8211;<\/em>Carla Bley<br \/>\n<em>All I know is that there are four beats to a bar and there are a million ways to phrase a tune<\/em>.&#8211;Anita O&#8217;Day ( <em>Down Beat<\/em>, circa 1938-39)<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Anita O&#8217;Day was my hero because she used four-letter words. That was really neat. I didn&#8217;t myself say them for a long time, but I loved hearing her say them.&#8211;Carla Bley All I know is that there are four beats to a bar and there are a million ways to phrase a tune.&#8211;Anita O&#8217;Day ( [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-739","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=739"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/739\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}