{"id":730,"date":"2006-11-22T01:05:00","date_gmt":"2006-11-22T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=730"},"modified":"2006-11-22T01:05:00","modified_gmt":"2006-11-22T09:05:00","slug":"cd_20","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/11\/cd_20\/","title":{"rendered":"CD"},"content":{"rendered":"<p><em><a href=\"http:\/\/www.iporecordings.com\/index.php\"target=\"_blank\">One More: The Summary, Music of Thad Jones, Vol. 2<\/a><\/em> (IPO). To name the players is to indicate the quality of this project: Eddie Daniels, Richard Davis, Benny Golson, Hank Jones, James Moody, John Mosca, Jimmy Owens, Kenny Washington and Frank Wess.  Assembling all-stars is no guarantee of success, but most of these men worked with Jones in the Thad Jones-Mel Lewis Jazz Orchestra, love his music and deeply understand it. They give &#8220;Little Pixie,&#8221; &#8220;Three and One,&#8221; six other Jones compositions and Jerome Richardson&#8217;s &#8220;Groove Merchant&#8221; everything they&#8217;ve got. They&#8217;ve got plenty, and it is as much in evidence here as it was in Volume 1 with a slightly different cast.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One More: The Summary, Music of Thad Jones, Vol. 2 (IPO). To name the players is to indicate the quality of this project: Eddie Daniels, Richard Davis, Benny Golson, Hank Jones, James Moody, John Mosca, Jimmy Owens, Kenny Washington and Frank Wess. Assembling all-stars is no guarantee of success, but most of these men worked [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-730","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=730"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/730\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}