{"id":728,"date":"2006-11-22T01:02:00","date_gmt":"2006-11-22T09:02:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=728"},"modified":"2006-11-22T01:02:00","modified_gmt":"2006-11-22T09:02:00","slug":"cd_18","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/11\/cd_18\/","title":{"rendered":"CD"},"content":{"rendered":"<p>BED, <em><a href=\"http:\/\/www.bedjazz.com\/\"target=\"_blank\">Bedlam<\/a><\/em> (Blue Swing). BED is the acronym for vocalist Becky Kilgore, guitarist Eddie Erickson and trombonist Dan Barrett. The group also includes bassist Joel Forbes, but the name BEDJ wouldn&#8217;t make much sense. What does make sense is Ms. Kilgore&#8217;s sunny, flawlessly in-tune singing and the way she interacts with the easy-going playing and occasional singing of her three co-conspirators in the art of delivering fine songs. BED&#8217;s repertoire includes great standards and some unusual entries: a banjo medley of tunes from &#8220;Oklahoma,&#8221; for instance. And when is the last time you heard &#8220;My Canary Has Circles Under His Eyes?&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BED, Bedlam (Blue Swing). BED is the acronym for vocalist Becky Kilgore, guitarist Eddie Erickson and trombonist Dan Barrett. The group also includes bassist Joel Forbes, but the name BEDJ wouldn&#8217;t make much sense. What does make sense is Ms. Kilgore&#8217;s sunny, flawlessly in-tune singing and the way she interacts with the easy-going playing and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-728","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=728"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/728\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}