{"id":7202,"date":"2015-12-28T21:20:31","date_gmt":"2015-12-29T05:20:31","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=7202"},"modified":"2016-01-09T19:17:08","modified_gmt":"2016-01-10T03:17:08","slug":"an-explanation","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2015\/12\/an-explanation\/","title":{"rendered":"An Explanation"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/12\/Einstein-150x144.jpg\" alt=\"Einstein\" width=\"150\" height=\"144\" class=\"alignleft size-thumbnail wp-image-7204\" \/><br \/>\nIt is not a <em>Rifftides<\/em> custom to accompany reviews with record companies\u00e2\u20ac\u2122 electronic press kits, but in the case of the Monday Recommendation in the previous exhibit, it may be helpful. Few people are familiar with Mette Henriette, a situation that seems likely to change. Here\u00e2\u20ac\u2122s the video.<\/p>\n<div align=\"center\"><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9pboi7-4j3c\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<div>\n","protected":false},"excerpt":{"rendered":"<p>It is not a Rifftides custom to accompany reviews with record companies\u00e2\u20ac\u2122 electronic press kits, but in the case of the Monday Recommendation in the previous exhibit, it may be helpful. Few people are familiar with Mette Henriette, a situation that seems likely to change. Here\u00e2\u20ac\u2122s the video.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-7202","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=7202"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7202\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=7202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=7202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=7202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}