{"id":718,"date":"2006-11-18T11:31:28","date_gmt":"2006-11-18T19:31:28","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=718"},"modified":"2006-11-18T11:31:28","modified_gmt":"2006-11-18T19:31:28","slug":"jazzitude","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/11\/jazzitude\/","title":{"rendered":"Jazzitude"},"content":{"rendered":"<p>The <em>Rifftides<\/em> staff has added Marshall Bowden&#8217;s <em><a href=\"http:\/\/www.jazzitude.com\/index.htm\"target=\"_blank\">Jazzitude<\/a><\/em> web site to  <strong>Other Places<\/strong> in the right-hand column. Befitting its Louisiana origin, <em>Jazzitude<\/em> is a gumbo of a site. On the menu: news, reviews, features and history sections.  If the free enterprise road to the internet future is advertising, Bowden is paving it with a profusion of links to books, DVDs, CDs, posters, instruments, equipment and sheet music. His menu doesn&#8217;t trap you in the ads, though. It allows navigation to what interests you.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Rifftides staff has added Marshall Bowden&#8217;s Jazzitude web site to Other Places in the right-hand column. Befitting its Louisiana origin, Jazzitude is a gumbo of a site. On the menu: news, reviews, features and history sections. If the free enterprise road to the internet future is advertising, Bowden is paving it with a profusion [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-718","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=718"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/718\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}