{"id":717,"date":"2006-11-13T11:14:24","date_gmt":"2006-11-13T19:14:24","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=717"},"modified":"2006-11-13T11:14:24","modified_gmt":"2006-11-13T19:14:24","slug":"correspondence_on_emphysema","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/11\/correspondence_on_emphysema\/","title":{"rendered":"Correspondence: On Emphysema"},"content":{"rendered":"<p>Phil Woods responds to <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2006\/11\/phil_woods_in_c.html\"target=\"_blank\">John Birchard&#8217;s review <\/a>of his recent Washington, DC, concert:<\/p>\n<blockquote><p>Hey Doug,<br \/>\nUpon reflection, I think the  reviewer missed the point of emphysema &#8211; it is Nature&#8217;s way of saying &#8211; &#8220;Stop playing all those 16ths and find a whole note that means something.&#8221;<br \/>\nPhil<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Phil Woods responds to John Birchard&#8217;s review of his recent Washington, DC, concert: Hey Doug, Upon reflection, I think the reviewer missed the point of emphysema &#8211; it is Nature&#8217;s way of saying &#8211; &#8220;Stop playing all those 16ths and find a whole note that means something.&#8221; Phil<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-717","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=717"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/717\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}