{"id":7074,"date":"2015-11-14T09:53:38","date_gmt":"2015-11-14T17:53:38","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=7074"},"modified":"2015-11-14T09:56:01","modified_gmt":"2015-11-14T17:56:01","slug":"weekend-extra-roses","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2015\/11\/weekend-extra-roses\/","title":{"rendered":"Weekend Extra: Roses"},"content":{"rendered":"<p>Here it is the middle of November and the yellow roses are in full splendor. Maybe a horticulturist could explain the phenomenon of such an extended period of bloom, but let\u00e2\u20ac\u2122s simply enjoy it and use it as a far-fetched excuse to summon a couple of Rose pieces from the archives. <\/p>\n<p>First, pictures from the garden:<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/11\/Yellow-roses-1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/11\/Yellow-roses-1.jpg\" alt=\"Yellow roses 1\" width=\"500\" height=\"282\" class=\"aligncenter size-full wp-image-7075\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/11\/Yellow-roses-1.jpg 500w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/11\/Yellow-roses-1-300x169.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><br \/>\n<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/11\/Yellow-rose-2.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/11\/Yellow-rose-2.jpg\" alt=\"Yellow rose 2\" width=\"500\" height=\"389\" class=\"aligncenter size-full wp-image-7076\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/11\/Yellow-rose-2.jpg 500w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/11\/Yellow-rose-2-300x233.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p>Then, Duke Ellington with Lawrence Brown and Ivie Anderson\u00e2\u20ac\u00a6<\/p>\n<div align=\"center\"><iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3JgIkYXMfr0\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<p><p>\u00e2\u20ac\u00a6and George Shearing&#8217;s quintet.<\/p>\n<div align=\"center\"><iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eWm2e8blRkc\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<p><p>Have a good weekend.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here it is the middle of November and the yellow roses are in full splendor. Maybe a horticulturist could explain the phenomenon of such an extended period of bloom, but let\u00e2\u20ac\u2122s simply enjoy it and use it as a far-fetched excuse to summon a couple of Rose pieces from the archives. First, pictures from the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7076,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-7074","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=7074"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/7074\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/7076"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=7074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=7074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=7074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}