{"id":707,"date":"2006-10-31T01:04:00","date_gmt":"2006-10-31T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=707"},"modified":"2006-10-31T01:04:00","modified_gmt":"2006-10-31T09:04:00","slug":"correspondence_cannonball_2","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/10\/correspondence_cannonball_2\/","title":{"rendered":"Correspondence: Cannonball 2"},"content":{"rendered":"<p>Continuing the Adderley theme, a <em>Rifftides<\/em> reader who identifies himself as El Destiny, sent the following message, which includes a link.<\/p>\n<blockquote><p><a href=\"http:\/\/www.10zenmonkeys.com\/2006\/10\/29\/haunted-by-chipmunk-ghosts\/\"target=\"_blank\">This article<\/a> includes a rare mp3 of Cannonball Adderley jamming with a novelty act of singing squirrels.<br \/>\nThe article tells the story of jazzman Don Elliott and partner Sascha Burland recording the track in an attempt to compete with Alvin &#038; the Chipmunks.  (Who had their own troubles with record labels&#8230;!)<\/p><\/blockquote>\n<p>Within the article are several links, including one to an MP3 of Cannonball playing &#8220;Yardbird Suite&#8221; with Elliott&#8217;s and Burland&#8217;s Nutty Squirrels.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Continuing the Adderley theme, a Rifftides reader who identifies himself as El Destiny, sent the following message, which includes a link. This article includes a rare mp3 of Cannonball Adderley jamming with a novelty act of singing squirrels. The article tells the story of jazzman Don Elliott and partner Sascha Burland recording the track in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-707","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=707"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/707\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}