{"id":6942,"date":"2015-09-14T16:16:29","date_gmt":"2015-09-14T23:16:29","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=6942"},"modified":"2016-12-12T16:38:53","modified_gmt":"2016-12-13T00:38:53","slug":"monday-recommendation-a-garner-classic-made-whole","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2015\/09\/monday-recommendation-a-garner-classic-made-whole\/","title":{"rendered":"Monday Recommendation: A Garner Classic Made Whole"},"content":{"rendered":"<p><strong>Erroll Garner<\/strong>, <a href=\"http:\/\/www.amazon.com\/Complete-Concert-Sea-Erroll-Garner\/dp\/B00ZJ5QXDO\/?_encoding=UTF8&amp;camp=1789&amp;creative=9325&amp;linkCode=ur2&amp;tag=rifftidougram-20\" target=\"_blank\"><em>The Complete Concert By The Sea<\/em><\/a> (Columbia)<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/09\/Erroll-Garner-Concert-BTS.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6943\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/09\/Erroll-Garner-Concert-BTS.jpg\" alt=\"Erroll Garner Concert BTS\" width=\"210\" height=\"210\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/09\/Erroll-Garner-Concert-BTS.jpg 210w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/09\/Erroll-Garner-Concert-BTS-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/09\/Erroll-Garner-Concert-BTS-100x100.jpg 100w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/09\/Erroll-Garner-Concert-BTS-200x200.jpg 200w\" sizes=\"auto, (max-width: 210px) 100vw, 210px\" \/><\/a>Garner\u00e2\u20ac\u2122s heroic 1955 concert will be released this week in its entirety for the first time. Half of it appeared on an 11-track LP that was a landmark in the pianist\u00e2\u20ac\u2122s history of joyful music making and sold more than half a million copies. After his death in 1977, the rest of the performance remained hostage to a dispute between Columbia Records and his manager, Martha Glaser, who died in 2014. The 11 previously unreleased performances include a \u00e2\u20ac\u0153Laura\u00e2\u20ac\u009d whose introduction evokes the enigma of its movie namesake; an ingenious extended diminuendo ending to \u00e2\u20ac\u0153Night And Day;\u00e2\u20ac\u009d one of Garner\u00e2\u20ac\u2122s classic keep-\u00e2\u20ac\u02dcem-guessing introductions to what turns out to be \u00e2\u20ac\u0153Caravan;\u00e2\u20ac\u009d and a blazing \u00e2\u20ac\u0153Bernie\u00e2\u20ac\u2122s Tune.\u00e2\u20ac\u009d Throughout, Garner is at the peak of his formidable game. Bassist Eddie Calhoun and drummer Denzil Best are impeccable in support. This is a basic repertoire item.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Erroll Garner, The Complete Concert By The Sea (Columbia) Garner\u00e2\u20ac\u2122s heroic 1955 concert will be released this week in its entirety for the first time. Half of it appeared on an 11-track LP that was a landmark in the pianist\u00e2\u20ac\u2122s history of joyful music making and sold more than half a million copies. After his [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-6942","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=6942"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6942\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=6942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=6942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=6942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}