{"id":6920,"date":"2015-09-02T23:34:47","date_gmt":"2015-09-03T06:34:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=6920"},"modified":"2015-09-03T00:27:15","modified_gmt":"2015-09-03T07:27:15","slug":"defranco-gibbs-fast-and-flexible","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2015\/09\/defranco-gibbs-fast-and-flexible\/","title":{"rendered":"DeFranco &#038; Gibbs: Fast And Flexible"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/09\/buddyterry_200w.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/09\/buddyterry_200w.jpg\" alt=\"buddy&amp;terry_200w\" width=\"200\" height=\"152\" class=\"alignleft size-full wp-image-6921\" \/><\/a>One of the precepts that old jazz pros have taught young musicians for years is that it\u00e2\u20ac\u2122s vital to be able to play any piece of music in any key at any tempo. Here\u00e2\u20ac\u2122s an example. It\u00e2\u20ac\u2122s from the days a quarter of a century ago when vibraharpist Terry Gibbs and clarinetist Buddy DeFranco teamed up and toured extensively. Their rhythm section at a club called the Cliff Side in Yokohama, Japan, in 1991 was Larry Novak, piano; Herb Ellis, guitar; Milt Hinton, bass; and Butch Miles, drums. Mr. Gibbs makes the introduction.<\/p>\n<div align=\"center\"><iframe loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/gpAv6HrAfbk?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>One of the precepts that old jazz pros have taught young musicians for years is that it\u00e2\u20ac\u2122s vital to be able to play any piece of music in any key at any tempo. Here\u00e2\u20ac\u2122s an example. It\u00e2\u20ac\u2122s from the days a quarter of a century ago when vibraharpist Terry Gibbs and clarinetist Buddy DeFranco teamed [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-6920","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6920","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=6920"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6920\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=6920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=6920"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=6920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}