{"id":6782,"date":"2015-07-16T15:34:38","date_gmt":"2015-07-16T22:34:38","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=6782"},"modified":"2015-07-16T15:34:38","modified_gmt":"2015-07-16T22:34:38","slug":"cal-tjaders-90th","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2015\/07\/cal-tjaders-90th\/","title":{"rendered":"Cal Tjader&#8217;s 90th"},"content":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;CnOSQhsVS95Clt7jeRono6Bo9Im29stB&#8221;]<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/07\/Tjader-56.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/07\/Tjader-56.jpg\" alt=\"Tjader &#039;56\" width=\"169\" height=\"200\" class=\"alignright size-full wp-image-6783\" \/><\/a>This is the 90th birthday of Cal Tjader (1925-1982). Tjader may have been best known for his pioneering Latin jazz, but in the late 1940s and early \u00e2\u20ac\u02dc50s with the Dave Brubeck Trio, he was respected for his mainstream drumming. Pianist Hank Jones told me that when he played on Tjader\u00e2\u20ac\u2122s <a href=\"http:\/\/www.amazon.com\/Good-Vibes-Cal-Tjader\/dp\/B000RPLPFM\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;linkCode=ur2&#038;tag=rifftidougram-20\"target=\"_blank\">1953 record session<\/a> for Savoy, Tjader became one of his favorite drummers. After he formed his own band and concentrated on vibraharp, Tjader\u00e2\u20ac\u2122s Latin recordings with sidemen like Mongo Santamaria, Armando Perrazza and Willie Bobo achieved huge popularity. Even so, his groups always balanced straight-ahead music with the Latin. One of Tjader\u00e2\u20ac\u2122s most engaging recordings, <a href=\"http:\/\/www.amazon.com\/Cal-Tjader\/dp\/B000000Z3Z\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;linkCode=ur2&#038;tag=rifftidougram-20\"target=\"_blank\">reissued here<\/a>, included Eugene Wright, who was his bassist until Wright joined Brubeck later in 1956. The pianist was Gerald Wiggins, the drummer the underrated Bill Douglass, a master of wire brushes.  <\/p>\n<p>The first tune, Wiggins\u00e2\u20ac\u2122s \u00e2\u20ac\u0153A Fifth For Frank,\u00e2\u20ac\u009d is illustrated with the cover shot of the original album. For reasons that only <em>YouTube<\/em> could explain, the final two videos show the cover of an unrelated album. Ignore that. Just close your eyes and enjoy three pieces from a one-time encounter of four superb musicians.<\/p>\n<div align=\"center\"> <iframe loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Tlwvp9m00cM?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe> <\/div>\n<div align=\"center\"><iframe loading=\"lazy\" width=\"540\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/PJhV7z4FwV8?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<div align=\"center\"><iframe loading=\"lazy\" width=\"540\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Wf7Ya83vF1I?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<p><p>For fellow blogger Steve Cerra\u00e2\u20ac\u2122s <em>Jazz Profiles<\/em> report on Duncan Reid\u00e2\u20ac\u2122s 2013 biography of Tjader,<a href=\"http:\/\/www.jazzprofiles.blogspot.com\/2014\/07\/cal-tjader-certain-smooth-elegance-la.html\"target=\"_blank\"> go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;CnOSQhsVS95Clt7jeRono6Bo9Im29stB&#8221;] This is the 90th birthday of Cal Tjader (1925-1982). Tjader may have been best known for his pioneering Latin jazz, but in the late 1940s and early \u00e2\u20ac\u02dc50s with the Dave Brubeck Trio, he was respected for his mainstream drumming. Pianist Hank Jones told me that when he played on Tjader\u00e2\u20ac\u2122s 1953 record [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6783,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-6782","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=6782"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6782\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/6783"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=6782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=6782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=6782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}