{"id":6769,"date":"2015-07-11T12:16:01","date_gmt":"2015-07-11T19:16:01","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=6769"},"modified":"2018-03-05T23:22:53","modified_gmt":"2018-03-06T07:22:53","slug":"weekend-extra-horace-silver","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2015\/07\/weekend-extra-horace-silver\/","title":{"rendered":"Weekend Extra: Horace Silver"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/07\/Horace-Silver.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6770\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/07\/Horace-Silver.jpg\" alt=\"Horace Silver\" width=\"142\" height=\"200\" \/><\/a>In the course of his career as a leader, Horace Silver (1928-2014) included in his band many of the most prominent young jazz musicians of the twentieth century. The quintet he took to Denmark in 1968 for the <em>Jazz Omkring Midnat<\/em> (Jazz Around Midnight) series was not together long, but the chemistry they developed made it one of the pianist\u00e2\u20ac\u2122s most satisfying groups. Here are Silver, piano; Bill Hardman, trumpet; Bennie Maupin, tenor saxophone; John Williams, bass; and Billy Cobham, drums, playing one of Silver\u00e2\u20ac\u2122s most popular compositions, \u00e2\u20ac\u0153Song For My Father.\u00e2\u20ac\u009d<\/p>\n<div align=\"center\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/NFjmWI-d6d4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>Have a good weekend.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the course of his career as a leader, Horace Silver (1928-2014) included in his band many of the most prominent young jazz musicians of the twentieth century. The quintet he took to Denmark in 1968 for the Jazz Omkring Midnat (Jazz Around Midnight) series was not together long, but the chemistry they developed made [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-6769","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=6769"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6769\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=6769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=6769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=6769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}