{"id":6766,"date":"2015-07-09T14:17:10","date_gmt":"2015-07-09T21:17:10","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=6766"},"modified":"2015-07-09T23:34:09","modified_gmt":"2015-07-10T06:34:09","slug":"eddie-louiss-1941-2015","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2015\/07\/eddie-louiss-1941-2015\/","title":{"rendered":"Eddy Louiss, 1941-2015"},"content":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;3xxFBGJblDfpL1YA8SzgMmZvu25ge6qJ&#8221;]<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/07\/Eddie-Louis.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/07\/Eddie-Louis.jpg\" alt=\"Eddie Louis\" width=\"250\" height=\"159\" class=\"alignleft size-full wp-image-6767\" \/><\/a>Organist Eddy Louiss died on June 30 in a Paris hospital. He was 74. His long career included widely praised albums with tenor saxophonist <a href=\"http:\/\/www.amazon.com\/Dynasty-2-CD-Stan-Getz\/dp\/B001NHZ2PW\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;linkCode=ur2&#038;tag=rifftidougram-20\"target=\"_blank\">Stan Getz<\/a> and pianist <a href=\"http:\/\/www.amazon.com\/Conference-Presse-Petrucciani\/dp\/B000001ZT7\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;keywords=Michel%20Petruccciani%20Conference%20de%20Presse&#038;linkCode=ur2&#038;qid=1436473173&#038;s=music&#038;sr=1-2-spell&#038;tag=rifftidougram-20\"target=\"_blank\">Michel Petrucciani<\/a>. Louiss became an organist when he was a member of the vocal group The Double Six Of Paris in the early 1960s. He quickly developed into a virtuoso on the instrument and won the Prix Django Reinhardt of the <em>Academie du Jazz<\/em> in 1964. Louiss had a long struggle with circulatory problems that led to the amputation of a leg in the early 1990s. He continued, nonetheless, to appear in clubs and at festivals, including &#8220;Jazz sous les Pommiers,&#8221; (\u00e2\u20ac\u0153Jazz Under the Apple Trees\u00e2\u20ac\u009d) in Coutances in northwestern France, in 2011. <\/p>\n<p>The band he led at Coutances was called Le Multicolor Feeling Orchestra. It included a cello section and what may have been half the horn players in Europe. Besides Louiss, the featured soloists are Jean-Michel Charbonel, bass; Jean-Marie Ecay, guitar; Xavier Cobo, tenor saxophone; Daniel Huck, alto saxophone; and Francis Arnaud, drums. This video&#151;admirably produced, directed and photographed&#151;runs nearly an hour. You may want to pour yourself a large calvados before you settle in with it. The video quality justifies watching full-screen.   <\/p>\n<p>\n<div align=\"center\"><iframe loading=\"lazy\" width=\"540\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/QYImI-9DtAM?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<p>Eddie Louiss, RIP <\/p>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;3xxFBGJblDfpL1YA8SzgMmZvu25ge6qJ&#8221;] Organist Eddy Louiss died on June 30 in a Paris hospital. He was 74. His long career included widely praised albums with tenor saxophonist Stan Getz and pianist Michel Petrucciani. Louiss became an organist when he was a member of the vocal group The Double Six Of Paris in the early 1960s. He [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-6766","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=6766"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6766\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=6766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=6766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=6766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}