{"id":6760,"date":"2015-07-05T00:10:44","date_gmt":"2015-07-05T07:10:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=6760"},"modified":"2015-07-05T09:42:49","modified_gmt":"2015-07-05T16:42:49","slug":"sunday-listening-tip-no-net-nonet","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2015\/07\/sunday-listening-tip-no-net-nonet\/","title":{"rendered":"Sunday Listening Tip: No Net Nonet"},"content":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;Ng3P59k8dqaUlOEzGI2gD4dhUmx4L977&#8243;]<\/p>\n<p>On his weekly broadcast today, Jim Wilke presents a band of New Yorkers and Seattleites whose performance was a highlight of an increasingly important Seattle jazz festival. Here is Jim&#8217;s announcement:<\/p>\n<blockquote><p>The Lucas Pino No Net Nonet played an exciting concert of original music at the 2015 Ballard Jazz Festival, and the concert was recorded for broadcast on KPLU&#8217;s <em>Jazz Northwest<\/em>. Pino is a New York-based tenor saxophonist who has been leading a similar band in monthly concerts at Smoke in New York City for the past three years. The New York band has a new CD on the Seattle label Origin Records, and Lucas Pino recently married Roxy Coss, another saxophonist who is a former Seattle resident and attended Garfield High. So, it seemed appropriate for Lucas and Roxy to be featured at this year&#8217;s Ballard Jazz Festival. Roxy led a quintet of her own and played in the No Net Nonet. The rest of the band came from Seattle&#8217;s pool of excellent players.<\/p><\/blockquote>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/07\/Lucas-Pino-Nonet.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-6761 aligncenter\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/07\/Lucas-Pino-Nonet.jpg\" alt=\"Lucas-Pino-Nonet\" width=\"500\" height=\"334\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/07\/Lucas-Pino-Nonet.jpg 500w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/07\/Lucas-Pino-Nonet-300x200.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a> <strong><span style=\"font-size: small;\">The front line: Greg Belisle-Chi (partially hidden), Jay Thomas, Roxy Coss, Lucas Pino, David Marriott Jr, Richard Cole. Pianist Dawn Clement, bassist Michael Glynn and drummer John Bishop are not shown. (Jim Levitt photo)<\/span><\/strong><\/p>\n<blockquote><p>Lucas Pino was clearly impressed with the Seattle musicians. \u00e2\u20ac\u0153We had maybe an hour of rehearsal&#8230; and I&#8217;m astounded at the level of musicianship of these cats&#8230;\u00e2\u20ac\u2122 Generous with his band, all players had solo turns during the concert, which consisted of frequently complex original compositions by Pino. The concert will air on Sunday, July 5 at 2 PM PDT at 88.5 in the Seattle area and stream on the internet at <a href=\"http:\/\/www.kplu.org\"target=\"_blank\">kplu.org<\/a>. <em>Jazz Northwest<\/em> is recorded and produced by Jim Wilke.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;Ng3P59k8dqaUlOEzGI2gD4dhUmx4L977&#8243;] On his weekly broadcast today, Jim Wilke presents a band of New Yorkers and Seattleites whose performance was a highlight of an increasingly important Seattle jazz festival. Here is Jim&#8217;s announcement: The Lucas Pino No Net Nonet played an exciting concert of original music at the 2015 Ballard Jazz Festival, and the concert [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6761,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-6760","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=6760"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6760\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/6761"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=6760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=6760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=6760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}