{"id":674,"date":"2006-10-16T01:05:00","date_gmt":"2006-10-16T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=674"},"modified":"2006-10-16T01:05:00","modified_gmt":"2006-10-16T08:05:00","slug":"compatible_quotes_the_baritone","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/10\/compatible_quotes_the_baritone\/","title":{"rendered":"Compatible Quotes: The Baritone Saxophone"},"content":{"rendered":"<blockquote><p><em>I actually tried to get a sound as big as Adrian Rollini, who was playing bass sax at that time . . . so I suppose whatever sound I get goes back to that.<\/em><br \/>&#8211;Harry Carney<br \/>\n<em>No baritone player should be afraid of the noise it makes. Harry Carney isn&#8217;t.<\/em><br \/>&#8211;Pepper Adams<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>I actually tried to get a sound as big as Adrian Rollini, who was playing bass sax at that time . . . so I suppose whatever sound I get goes back to that.&#8211;Harry Carney No baritone player should be afraid of the noise it makes. Harry Carney isn&#8217;t.&#8211;Pepper Adams<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-674","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=674"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/674\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}