{"id":6697,"date":"2015-06-08T17:35:15","date_gmt":"2015-06-09T00:35:15","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=6697"},"modified":"2015-06-08T17:48:30","modified_gmt":"2015-06-09T00:48:30","slug":"more-andy-brown","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2015\/06\/more-andy-brown\/","title":{"rendered":"More Andy Brown"},"content":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;nEF4jOGgscyImMZduTPZecMEeef3nwQO&#8221;]<\/p>\n<p>As an addendum to the Andy Brown recommendation in the previous exhibit, we have evidence that in addition to his achievement as a soloist, Brown plays well with others. The setting is a bookstore recital in Chicago in 2010 and a performance of \u00e2\u20ac\u0153Cry Me a River.\u00e2\u20ac\u009d His duo partner is Anat Cohen. <\/p>\n<div align=\"center\"><iframe loading=\"lazy\" width=\"540\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/r3olqOper38?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><<\/div>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;nEF4jOGgscyImMZduTPZecMEeef3nwQO&#8221;] As an addendum to the Andy Brown recommendation in the previous exhibit, we have evidence that in addition to his achievement as a soloist, Brown plays well with others. The setting is a bookstore recital in Chicago in 2010 and a performance of \u00e2\u20ac\u0153Cry Me a River.\u00e2\u20ac\u009d His duo partner is Anat Cohen.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-6697","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=6697"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6697\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=6697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=6697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=6697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}