{"id":6587,"date":"2015-04-15T17:23:15","date_gmt":"2015-04-16T00:23:15","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=6587"},"modified":"2015-04-15T17:23:15","modified_gmt":"2015-04-16T00:23:15","slug":"just-because-dave-frishberg-and-friends","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2015\/04\/just-because-dave-frishberg-and-friends\/","title":{"rendered":"Just Because: Dave Frishberg And Friends"},"content":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;3aR8nCa5oudZCEh6O0ovMFHsn4qwFpMd&#8221;]<\/p>\n<p>In this 2012 video from the archives of veteran broadcaster Lynn Darroch&#8217;s radio program <em>Bright Moments!<\/em>, pianist Dave Frishberg and two of the Pacific Northwest&#8217;s fine tenor saxophonists play Al Cohn&#8217;s &#8220;Mr. George.&#8221; This harkens back to the days when Frishberg was a member of the Al Cohn-Zoot Sims quintet, a frequent attraction at New York&#8217;s Half Note Cafe. Camera mobility was limited in the KMHD-FM studio, but the Al Cohn spirit was not. Dave Frishberg, piano; Lee Wuthenow and David Evans, tenor sax. Wuthenow has the first solo.<br \/>\n\t\t\u00e2\u20ac\u00a8\u00e2\u20ac\u00a8\u00e2\u20ac\u00a8<\/p>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/_uBVuRzQCFA?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;3aR8nCa5oudZCEh6O0ovMFHsn4qwFpMd&#8221;] In this 2012 video from the archives of veteran broadcaster Lynn Darroch&#8217;s radio program Bright Moments!, pianist Dave Frishberg and two of the Pacific Northwest&#8217;s fine tenor saxophonists play Al Cohn&#8217;s &#8220;Mr. George.&#8221; This harkens back to the days when Frishberg was a member of the Al Cohn-Zoot Sims quintet, a frequent attraction [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-6587","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=6587"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6587\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=6587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=6587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=6587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}